Tseng Chien-Ying (b. 1987, Nantou, Taiwan) is an artist based in Taipei. He received his MFA in Fine Arts from Taipei National University of the Arts in 2013. Working primarily with ink, gouache, and ceramic sculpture, Tseng draws upon traditional East Asian materials and aesthetics to articulate contemporary conditions of embodiment, spirituality, and socio-cultural tension.
Tseng’s recent solo exhibitions include: “Regarding the Mediocrity of Others”, Longlati Foundation, Shanghai (2025); “Skin Depth”, Each Modern, Taipei (2022); “Cacotopias”, Red Gold Fine Art, Taipei (2020); “The Daydream of Delusions”, Red Gold Fine Art, Taipei (2017). Recent group exhibitions include: “Too Loud a Solitude: A Century of Pathfinding for Eastern Gouache Painting in Taiwan”, Taipei Fine Arts Museum, Taipei (2024); “Here, Where, There?”, Almine Rech, Shanghai (2024); “Subzoology: 2020 Taiwan Biennial”, National Taiwan Museum of Fine Arts, Taichung (2020); “SPECTROSYNTHESIS II”, Bangkok Art and Culture Centre & Sunpride Foundation, Bangkok (2019); “Memories Interwoven and Overlapped: Post-Martial Law Era Ink Painting in Taiwan”, National Taiwan Museum of Fine Arts, Taichung (2016). His works are included in multiple institutional collections, such as Space K, Seoul, Korea; White Rabbit Gallery, Sydney, Australia; Taipei Fine Art Museum, Taipei, Taiwan; Chishang Barn Art Museum, Taitung, Taiwan; National Taiwan Museum of Fine Arts, Taichung, Taiwan; National Taiwan Normal University, Taipei, Taiwan.
Tseng was selected for the MIT New Artists Project by Taiwan’s Ministry of Culture (2015), and received a fellowship from the Asian Cultural Council (2017).
Tseng Chien-Ying Taipei, Taiwan, B. Nantou, Taiwan, 1987

Installation view, Kiang Malingue at Frieze Seoul, 2025
Photo by Andrea Rossetti

42 1/2 x 30 3/4 in

64 1/8 x 49 1/4 in

Installation view, Kiang Malingue at Frieze Seoul, 2025
Photo by Andrea Rossetti

55 1/8 x 55 1/8 in

Installation view, Kiang Malingue at Frieze Seoul, 2025
Photo by Andrea Rossetti

42 1/2 x 30 3/4 in

42 1/2 x 30 3/4 in

42 1/2 x 30 3/4 in

Installation view, Kiang Malingue at Frieze Seoul, 2025
Photo by Andrea Rossetti

47 1/4 x 35 3/8 in

53 1/8 x 35 3/8 in

Installation view, Kiang Malingue at Frieze Seoul, 2025
Photo by Andrea Rossetti

42 1/2 x 42 1/2 in

61 3/4 x 37 3/8 in

Spectrum
2024
Ink and colors on paper, mineral pigments
97 x 278 cm
Image courtesy the artist

Installation view
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Installation view
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Aphrodisiac, 2025
Ink and color on paper, mineral pigments, metallic pigments
‘Sounds of Babel’, Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Whispers, 2023
Ink and color on paper, mineral pigments, metallic pigments
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Installation view
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Installation view
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Installation view
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Poached Egg, 2022
Ink and color on paper, mineral pigments
‘Sounds of Babel’, 2025
Taiwan Contemporary Culture Lab (C-LAB), Taipei, Taiwan
Courtesy of C-LAB. Photography: One Work Goway LU

Installation view
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Installation view
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Installation view
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Installation view
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Stampede
2024
Ink and colors on paper, mineral pigments
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Installation view
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Installation view
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Sunset Soda
2024
Ink and colors on paper, mineral pigments
‘Regarding the Mediocrity of Others’, 2025
Longlati Foundation, Shanghai, China
Image courtesy of Longlati Foundation

Installation view
‘My Body Is A Temple’, 2024 – 2025
Chen Qianbi’s former residence, Chiayi, Taiwan
Courtesy of the artist

Installation view
‘My Body Is A Temple’, 2024 – 2025
Chen Qianbi’s former residence, Chiayi, Taiwan
Courtesy of the artist

Installation view
‘My Body Is A Temple’, 2024 – 2025
Chen Qianbi’s former residence, Chiayi, Taiwan
Courtesy of the artist

Installation view
‘My Body Is A Temple’, 2024 – 2025
Chen Qianbi’s former residence, Chiayi, Taiwan
Courtesy of the artist

Installation view
‘My Body Is A Temple’, 2024 – 2025
Chen Qianbi’s former residence, Chiayi, Taiwan
Courtesy of the artist

Installation view
‘Art Collaboration Kyoto 2024’, Kyoto, Japan
Courtesy of EACH MODERN and the artist

Installation view
‘Art Collaboration Kyoto 2024’, Kyoto, Japan
Courtesy of EACH MODERN and the artist

Installation view
‘Art Collaboration Kyoto 2024’, Kyoto, Japan
Courtesy of EACH MODERN and the artist

Installation view
‘Art Collaboration Kyoto 2024’, Kyoto, Japan
Courtesy of EACH MODERN and the artist

Installation view
‘Art Collaboration Kyoto 2024’, Kyoto, Japan
Courtesy of EACH MODERN and the artist

Installation view
‘Here, Where, There?’, 2024
Almine Rech Shanghai, China
Courtesy of Almine Rech Shanghai and the artist

Installation view
‘Here, Where, There?’, 2024
Almine Rech Shanghai, China
Courtesy of Almine Rech Shanghai and the artist

Installation view
‘Here, Where, There?’, 2024
Almine Rech Shanghai, China
Courtesy of Almine Rech Shanghai and the artist

Installation view
‘IMAGRATION’, 2023
Gallery COMMON x EACH MODERN
Gallery COMMON, Tokyo, Japan
Courtesy of Gallery COMMON, EACH MODERN and the artist

Installation view
‘IMAGRATION’, 2023
Gallery COMMON x EACH MODERN
Gallery COMMON, Tokyo, Japan
Courtesy of Gallery COMMON, EACH MODERN and the artist

Installation view
‘IMAGRATION’, 2023
Gallery COMMON x EACH MODERN
Gallery COMMON, Tokyo, Japan
Courtesy of Gallery COMMON, EACH MODERN and the artist

Installation view
‘IMAGRATION’, 2023
Gallery COMMON x EACH MODERN
Gallery COMMON, Tokyo, Japan
Courtesy of Gallery COMMON, EACH MODERN and the artist

Installation view
‘IMAGRATION’, 2023
Gallery COMMON x EACH MODERN
Gallery COMMON, Tokyo, Japan
Courtesy of Gallery COMMON, EACH MODERN and the artist

Installation view
‘IMAGRATION’, 2023
Gallery COMMON x EACH MODERN
Gallery COMMON, Tokyo, Japan
Courtesy of Gallery COMMON, EACH MODERN and the artist

Installation view
‘Retrograde’, 2022
Galerie du Monde, Hong Kong
Courtesy of Galerie du Monde and the artist

Installation view
‘Retrograde’, 2022
Galerie du Monde, Hong Kong
Courtesy of Galerie du Monde and the artist

(Detail)
‘Retrograde’, 2022
Galerie du Monde, Hong Kong
Courtesy of Galerie du Monde and the artist

Installation view
‘Retrograde’, 2022
Galerie du Monde, Hong Kong
Courtesy of Galerie du Monde and the artist

(Detail)
‘Retrograde’, 2022
Galerie du Monde, Hong Kong
Courtesy of Galerie du Monde and the artist

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Skin Depth’, 2022
EACH MODERN, Taipei, Taiwan
Courtesy of EACH MODERN. Photo by Ross Wang

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Taiwan Biennial – Subzoology’, 2021
National Taiwan Museum of Fine Arts, Taichung, Taiwan
Courtesy of the artist. Photo by Chu Chi-Hung

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘Cactopias’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘New Relics I: Crossing Over’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘New Relics I: Crossing Over’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘New Relics I: Crossing Over’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘New Relics I: Crossing Over’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Installation view
‘New Relics I: Crossing Over’, 2020
Red Gold Fine Art, Taipei, Taiwan
Courtesy of Red Gold Fine Art

Borrow a lighter
2019
Ink and color on paper, mineral pigments
77.5 x 88 cm; 30 1/2 x 34 5/8 in
Image courtesy the artist

Great Summer
2019
Ink and color on paper, mineral pigments
141 x 78.5 cm; 55 1/2 x 30 7/8 in
Image courtesy the artist

A Female Member
2019
Ink and color on paper, mineral pigments
77.5 x 88 cm; 30 1/2 x 34 5/8 in
Image courtesy the artist

River on the back mountain
2019
Ink and color on kunohada linen paper, mineral pigments, silver foil
140 x 56 cm; 55 1/8 x 22 in
Image courtesy the artist

Souvenir
2019
Ink and color on paper, mineral pigments
95.5 x 76 cm; 37 5/8 x 29 7/8 in
Image courtesy the artist

Attire
2019
Ink and color on paper, mineral pigments
87 x 78.5 cm; 34 1/4 x 30 7/8 in
Image courtesy the artist

The pool of worlds
2017
Ink and color on paper, mineral pigments
125 x 237 cm; 49 1/4 x 93 1/4 in
Image courtesy the artist

Spring Thunder
2017
Ink and color on paper, mineral pigments
85 x 156 cm; 33 1/2 x 61 3/8 in
Image courtesy the artist

Wall Flower
2017
Ink and color on paper, mineral pigments
25.5 x 39 cm; 10 x 15 3/8 in
Image courtesy the artist

Sauna
2017
Guache on paper, ink, mineral pigments
142.5 x 77 cm; 56 1/8 x 30 1/4 in
Image courtesy the artist

The Eldest Son
2017
Ink and color on paper, mineral pigments
143 x 95 cm; 56 1/4 x 37 3/8 in
Image courtesy the artist

Self Embrace
2017
Ink and color on paper, mineral pigments
D 74 cm; D 29 1/8 in
Image courtesy the artist

Alpha Female
2016
Ink and color on silk, mineral pigments
39 x 30 cm; 15 3/8 x 11 3/4 in
Image courtesy the artist

Portrait of a Boy
2016
Ink and color on kumohada linen paper, mineral pigments, gold foil, cooper foil
34.5 x 27.5 cm; 13 5/8 x 10 7/8 in
Image courtesy the artist

Whispers of the Wind
2016
Ink and color on paper, mineral pigments, metal sludge
26 x 39 cm; 10 1/4 x 15 3/8 in
Image courtesy the artist

Feed
2016
Ink and color on paper, mineral pigments, silver sludge
26 x 39 cm; 10 1/4 x 15 3/8 in
Image courtesy the artist