Celebrating more than a decade of partnership in life and at work, Lorraine Kiang and Edouard Malingue are happy to announce that Edouard Malingue Gallery becomes Kiang Malingue. The program now represents 30 artists, and will continue its quest for artistic dialogue and conceptual inquiry.
We have expanded our studio in Aberdeen, Hong Kong, and most look forward to welcoming you. Our first solo exhibition with Hong Kong based artist Yeung Hok Tak will open in April, 2022 on the upper floor of the studio in Aberdeen.
Following the expansion, the gallery’s new and permanent headquarter building at 10 Sik On Street, Wan Chai, will open in September 2022.
We thank heartily the artists, collectors, curators, journalists, colleagues, friends and art lovers for their support over the years. And of course our Team. Without you all, we would not be where we are today. We look forward to further inspiring exchanges with you, in decades to come.
“An acute manner”, Hong Kong, 2021
“Ghost, Skin, Dwelling”, Shanghai, China, 2021
“Plastonki”, Hong Kong, 2021
“Backgrounds”, Hong Kong, 2021
“In the Labyrinth”, Shanghai, China, 2021
Hong Kong, 2021
Gallaries Curate: RHE, “Shape of Water”, Hong Kong, 2021
Gallery Weekend Beijing, “Actor: Talking, Imitating, Teasing and Singing”, Beijing, 2021
“Forager”, Shanghai, 2020
“Irregular Pearl”, Hong Kong, 2020
“1986 – 1992”, Hong Kong, 2020
“Madakaripura”, London, 2020
Nabuqi, ‘How to be “Good Life”’ (2019).
Sadie Coles HQ, 1 Davies St, W1K 3DB, London, U.K., 2020
“The Great Movement”, Hong Kong, 2019
“Dwells in the Solid Shadow of the Unreachable”, Shanghai, 2019
“Quest for Quiet”, St Saviour’s, Aberdeen Park, N5 2AR, London, UK, 2019
“Listen”, St Saviour’s, Aberdeen Park, N5 2AR, London, UK, 2019
“That is a Layer of Gauze that Mimics the Texture of the Wall”, Shanghai, 2019
“Folded Veil”, Hong Kong, 2019
“Adaptation”, Hong Kong, 2019
Chou Yu-Cheng and Tromarama, Petzel Gallery, 35 E 67th Street New York, New York 10065, USA, 2019
“Healthier, Simpler, Wiser”, Shanghai, 2019
“The Critical Dictionary of Southeast Asia: R for Rhombicuboctahedron, vol. 8”, Hong Kong, 2019
“Dreams, illusions, phantom flowers”, Elephant West 62 Wood Lane, London, UK, 2019
“LLIMIIINALL”, Shanghai, 2019
“Rhythm and Senses”, Hong Kong, 2019
“The highway is like a lion’s mouth”, Shanghai, 2018
“one, maybe two Parsecs”, Hong Kong, 2018
“Proposal for a Defective Monument”, Shanghai, 2018
“Constructing Mythologies”, Hong Kong, 2018
“Film Screening II”, Hong Kong, 2018
“Soul of the Soulless”, Shanghai, 2018
Foxy Production 2 East Broadway, New York, NY 10038, USA, 2018
“Alternative Realities”, Palazzo Terzi, Bergamo, Italy, 2018
“2014”, Hong Kong, 2018
“n a m e”, Shanghai, 2018
“In the Half Life”, Hong Kong, 2018
“He No Longer Looks Human”, Shanghai, 2018
“Home 2.0”,
Installation view at Bold Tendencies, U.K., 2018
“Differentiation”, Hong Kong, 2018
“Nature Gone Astray”, Shanghai, 2018
“Choruses”,
collaborative exchange, Silverlens, Manila at Edouard Malingue Gallery, Hong Kong, 2017
“Refresh, Sacrifice, New Hygiene, Infection, Clean, Robot, Air, Housekeeping, www.ayibang.com, Cigarette, Dyson, Modern People”, Shanghai, 2017
“Blue is the New Black”, Hong Kong, 2017
“Slipping Mural 2” (2017), at Encounters section of Art Basel Hong Kong, 2017
“Celestial Phenomena”, Hong Kong, 2017
“ω”, Syaiful Aulia Garibaldi and Arin Dwihartanto Sunaryo, in collaboration with ROH Projects, Jakarta, Hong Kong, 2017
“one second ago”, Hong Kong, 2017
“Muse for a Mimeticist”, Shanghai, 2017
“Film Screening I”, Hong Kong 2017
“choo choo mama…”, Shanghai, 2017
“Elegy”, Hong Kong, 2017
“Who’s the Daddy”, Hong Kong, 2017
“Étreindre”, Hong Kong, 2016
Wang Wei’s work ‘Shadow’ (2017), won the best artwork at the special exhibition programme, ArtReview Asia Xiàn Chǎng at West Bund Art & Design 2017, Shanghai, China.
“Festival”, Shanghai, 2016
“The Blissful Defect”, Hong Kong, 2016
“Green Island”, Hong Kong, 2016
“”There is a place with four suns in the sky – red, white, blue and yellow”, Hong Kong, 2016″,
“Chemical Ginding, Keep Calm, Galvanise, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Light. II”, Hong Kong, 2016
Liverpool Biennial Fringe, Liverpool, U.K., 2016
Solo exhibition, Hong Kong, 2016
“Élysée”, Hong Kong, 2016
“Private Riots” (2014), at Encounters section of Art Basel Hong Kong, 2016
“Floy”, Hong Kong, 2016
“Panoramix”, Hong Kong, 2015
“There is no there there”, Galerie Malingue, Paris, France, 2015
“Underground Construction: Failed”, Hong Kong, 2015
“Clamour Can Melt Gold”, Hong Kong, 2015
“Balance Sheets”, Hong Kong, 2015
“Again, Again and Again”, Hong Kong, 2015
“Two Rooms”, Hong Kong, 2015
“Mausoleum”, at Encounters section of Art Basel Hong Kong, 2015
“Invisible Light”, Hong Kong, 2015
“Never Odd or Even”, Taipei Artist Village, Taiwan, 2014
“No Exit”, Hong Kong, 2014
“Contemplating Landscape”, Hong Kong, 2014
“Anatomy of Anxieties”, Hong Kong, 2014
“Brave New World”, Hong Kong, 2014
“Near and Elsewhere”, Hong Kong, 2013
“Meeting Point”, Charwei Tsai and Chi-Tsung Wu, in collaboration with TKG+ Gallery, Taiwan, Hong Kong, 2013
“Elles et Moi”, Hong Kong, 2013
“Visibility is a trap”, Art Basel Hong Kong, 2013
“ISTHK|HKIST”, Hong Kong, 2013
“Pentateuque”, Public installation in Statue Square Gardens, Central, Hong Kong, 2013
solo exhibition, Hong Kong, 2012
Solo exhibition, Hong Kong, 2012
“2 Brushstrokes”, Hong Kong, 2012
“Future Archeology”, Hong Kong, 2012
“Anechoic Pavilion”, Public installation, Central Ferry Pier 4, Rooftop 4 Pier road, Central, Hong Kong, 2012
Hong Kong, 2012
“Three Heads Six Arms”, Hong Kong, 2012
Hong Kong, 2010